
Published in 2009 by Margaret K. McElderry Books
2 Stars
Goodreads Review
To save her mother's life, Clary must travel to the City of Glass, the ancestral home of the Shadowhunters - never mind that entering the city without permission is against the Law, and breaking the Law could mean death. To make things worse, she learns that Jace does not want her there, and Simon has been thrown in prison by the Shadowhunters, who are deeply suspicious of a vampire who can withstand sunlight.
As Clary uncovers more about her family's past, she finds an ally in mysterious Shadowhunter Sebastian. With Valentine mustering the full force of his power to destroy all Shadowhunters forever, their only chance to defeat him is to fight alongside their eternal enemies. But can Downworlders and Shadowhunters put aside their hatred to work together? While Jace realizes exactly how much he's willing to risk for Clary, can she harness her newfound powers to help save the Glass City - whatever the cost?
Love is a mortal sin and the secrets of the past prove deadly as Clary and Jace face down Valentine in the final installment of the New York Times bestselling trilogy The Mortal Instruments.
Review: City of Glass my be the most frustrating book of the entire series. There are so many cool ideas in this novel, but it's like the interesting aspects of the world building and plot were rushed or pushed to the side so we could get to the stupid angst and drama going on with Clary and Jace. And there is a lot of drama, but sadly not much else.
My biggest complaint with City of Glass is the writing style and choices. A lot of the plot developments (what happened to the wizard Ragnor Fell, what happened with Clary's mother, what happened with Isabel and Max, ect.) happened "off screen". Clary wouldn't be present for the actual event, she would just be told about it later. There is a lot of truth to the "show don't tell" style of writing and we do not get shown much. I also have to point out the horrific overuse of similes in this novel (and in Clare's writing in general). Now, I'm not inherently against similes, when they make sense. But when you start comparing every single characteristic a person or building or event has to something else seems just lazy to me. My personal favorite, "There was a crash—the sound of shattering—and a sudden spray of broken glass like a shower of jagged stars." What does that even mean?
I found the plot to be very predictable (in fact I was predicting the events of this book at the end of City of Bones) and the amout of drama and angst surrounding this very obvious plot made me roll my eyes and shake my head a lot. And it's just so disappointing because there really are a lot of cool ideas in this novel that I don't really want to to mention specifically because I don't want to spoil, but they are all so clouded by Clary's inner monologue stuck on her Jace obsession that it's just painful.
Let's talk really quickly about the ending (no spoilers, promise!) The final battle is just a huge disappointment. After being stuck for over five chapters waiting around for the battle to begin, it barely lasts 5 pages! I want some bloody action! And the resolution with Valentine was a huge let down. The whole ending was so anti-climactic and then everything is wrapped up in one convenient little bow. I hate endings like that, I like it when character are actually affected by the events of the novel and they don't come out perfectly squeaky clean (ie Mockingjay).
I honestly just don't get what people see in this series. I think The Moral Instruments is a weak collection of fantasy tropes that are done much better in other series such as Harry Potter, Star Wars, and Buffy the Vampire Slayer.













